Archive for June, 2008

presidential torture

Saturday, June 28th, 2008

of course this president is torture enough. that grimace that she seems to always have on her face. her capacity at giggling in kilig and laughing at jokes made at the expense of a nation in calamity. and we’re not even talking about her ability to say one thing and do another. and to lie through her teeth.

and then this, a perfect example of how torture is but part and parcel of GMA’s presidency. and how people still suffer for their politics – when it’s the kind that is not one of a heckler’s, or a rightist’s, or that of an America-loving-Pinoy – in the closet and otherwise.

According to the Manila Times editorial today, the NCR director for the Human Rights Commission Dr. Renato Basas has confirmed that various forms of torture have been employed by the GMA administration. And while she has also ratified the U.N. Treaty Against Torture, the editorial also says that obviously

“The unfortunate reality is that absolutely prohibiting the police, the jail managers, the military and others charged with the duty of ensuring that law and order prevail is not among the top priorities of Malacañang.”

A measure as well of GMA’s fear in the military’s power over her, thus the decision to coddle the Palparans of this world and celebrate then as fantastic officers, despite witness upon witness saying otherwise. Proving otherwise.

i caught Storyline’s episode on the desaparecidos of the present. And while sometimes the show’s format doesn’t work (more on this next time), last night, it just did, as it allowed King Catoy to just speak to the camera, with no real sense of an interviewer. Catoy told the story of his 2003 abduction, and spoke of the activists with him who were summarily executed: human rights worker Eden Marcellana and peasant leader Eddie Gumanoy.

what struck too close to home was the fact that he and two others had identified Master Sgt. Donald Caigas as one of their abductors. Caigas would also be the one name that would surface in relation to Karen Empeno’s and Sherlyn Cadapan’s disappearance, and apparent torture and rape. the latter story was witnessed and told by the abducted farmers who would come to be known as the Manalo brothers, Raymund and Reynaldo.

it was Raymund Manalo who claimed that he saw Palparan twice during his three-month detention, before he and his brother escaped to tell their story. in one of those instances, Palparan told him to tell his parents to stop going to protest rallies.

blindfolded, hands tied behind him, and kneeling on the ground, King Catoy was also told the same thing: stop going to rallies, stop whatever it is you’re doing with these activists. stop being yourself.

and everyday, we live through the torture of knowing that many others are disappearing and dying for doing what they do, believing what they will, living a life for justice and democracy that we all should want to live. because people are stolen, are made to disappear, are tortured and raped, and are killed, not simply for their politics. in GMA’s time (as with Marcos’), they are being made to suffer for being themselves.

KC and skin whitening

Friday, June 27th, 2008

That we are enamored by KC Concepcion is understandable. It’s not so much that we saw her grow up, or that she’s the girl born with a silver spoon in her mouth – many other young stars are the same. We find her interesting because in the past, she remained distinctly resistant to the idea of the limelight, having one-foot-in-one-foot-out of the showbiz industry she was born into. (more…)

kawayan takes a walk on the blindsideMarch 1st, 2010

It seems too easy, really. On one July 4, Kawayan de Guia found himself in America, and felt removed from what was a major celebration in the land of milk and honey. On this day, he decides to take a 30-kilometer walk on non-descript Route 66, which may be part of his personal history of walking, yes, but to a spectator who needs no personal history, could really be about so many other things.

Which is really what works for Bored on the 4th of July (Ateneo Art Gallery, Ateneo de Manila University) an exhibit borne of de Guia’s New York Art Residency Grant. An installation of photos that de Guia took on this walk of purported boredom, what was striking to begin with about this exhibit was the fact that it really is just a bunch of photos. The current propensity for capturing images of moments and keeping memories, with social networking sites and the internet’s enterprise of sharing and developing relationships through these swiftly changing images, this is exciting as it is possibly boring. For really, when I can put an album online of my own walk through an unfamiliar street in an alien city, wouldn’t my own captured images necessarily be as important, if not more so, than someone else’s? Read more…

Lack or irony in Happily UnhappyFebruary 9th, 2010

a version of this was published in the Arts and Books Section of the Philippine Daily Inquirer, 8 February 2010.

A group exhibit such as Happily Unhappy (Blanc Gallery, Mandaluyong) has a lot going for it, other than the possibility, and the fact, of a smorgasbord of artists. There is the brilliance of a concept, the idea of being happy with one’s unhappiness, that can carry an exhibit like this to, well, brilliance. This of course banks on the infinite possibilities that a title such as this allows: what is it to be happily unhappy? Where does one take that idea, and how can it be configured and reconfigured? It also presumes a certain amount of irony, yes? Because that title is, if we must state the obvious, ironic.

But apparently the danger with irony in an exhibit such as Happily Unhappy (curated by Jordin Isip and Louie Cordero) is the possibility that a greater number of the participating artists would work with the concept in the same way, i.e., talk about the same kind of happy unhappiness. The irony then becomes less potent, less obvious, less than what’s expected. Read more…

Lee Navas Olazo rock the new year!January 26th, 2010

A two-man one-woman show featuring Romeo Lee, Elaine Navas and Jonathan Olazo (Manila Contemporary, 2314 Pasong Tamo Ext), opens the year 2010 with a bang of bold strokes and crazy textures. The diversity of course lies in the kind of works that these three artists are famous for, a diversity that necessarily lies in form, but more importantly in subject matter.

It’s Navas’ three panels that capture the eye upon entering the gallery, with her signature impasto technique and an amalgamation of green. The four panels that make up “Asborbed” “Found” and “In Between” could easily be different angles of the same forest rendered in still life. What makes it unique is Navas’ use of a technique that seems to bring this forest to life, engaging the spectator in the familiarity of the moment captured: the trees and leaves all tangled up, a bit of sunlight cutting through the chaos. It calls out to the spectator in the way the unknown does, where being in between is the same as being found, as one is absorbed into discovery as well.

In “Wishingbone” Navas’ still life isn’t so much about the engagement with what’s familiar, but a rendering of the familiar into strangeness. The wishing bone, which connotes hope, is shown as a headless fish skeleton hanging upside down, a query into the idea of a wishingbone and what it is in truth: a surrender, an end in itself, a moment up in the air. It’s this same suspension of belief that is apparent in Navas’ two other works “Solo” and “Pink Mutations”, as both work with crumpled unidentifiable forms that seem to be moving on the canvas. The latter merges together the forms using shades of pink that interact with and into each other; the former works with contrasting colors, both moving differently and seemingly extraneous from each other, creating a dynamism that’s difficult to miss. Read more…

© 2009 Katrina Stuart Santiago