Archive for July, 2008

post-SONA blues: LFS one point, Dep Ed zero

Wednesday, July 30th, 2008

Other than the fashion both inside and outside the halls of Congress (which will be topic for another entry), what’s also exciting about the President’s annual SONA are the discussions that lead up to it, where once a year, media actually sort of asks the right questions (finally!). Then again, with a past SONA to diss, and a new one to compare it to, how can any show go wrong?

And so on the new TV show Harapan with Korina Sanchez and Ted Failon last Monday sat Vencer Crisostomo, secretary-general of the League of Filipino Students, and Department of Education Undersecretary Vilma Labrador, face-to-face (kasi nga harapan, hindi ba?) to talk about GMA’s presidential promises on education. Suffice it to say that in this harapan, Crisostomo had the upper hand, primarily because he was faced with a Dep Ed undersecretary who, like her boss GMA, had her way with truth. That is, she had a way of lying by not talking about the full picture of our public schools.

So Labrador says with pride in her voice and a sparkle in her eyes that the teacher to pupil ratio has consistently been kept down to 1:35 or 1:36, thanks to GMA’s administration. Barely able to contain his laughter, Crisostomo responds that this is only so because the classrooms have been cut in half — as in literally in half with makeshift walls! — so instead of 1 teacher to 70 pupils, it can truthfully be said that it’s now 1 teacher to 35 students at any given time.

He also points out that it’s the logic of having three shifts – that is, three different classes – for any given day, any teacher, and every halved classroom, that allows for the 1:35 ratio to be true. In fact Dep Ed Order No. 62, s 2004, speaks of these shifts as a way of solving the problem of classroom shortage, which at that point was at 51,947. In the said order, it’s even recommended that for certain public schools, they must have as many as four shifts, not three, and the maximum number of students for every classroom is set at 65. Wait, is that a whole, or a halved classroom?

But Labrador seemed surprised at Crisostomo’s response, if not flabbergasted. How could she respond? Well, with no answer at all. So she starts talking about statistics on the number of graduates in public schools, and how statistically, the numbers have been consistent. To which of course Crisostomo responds by mentioning the now higher drop out rate, which would technically allow for the number of graduates to be consistent, because you’re not counting the growing number of students who leave school because they can’t afford it.

But public schools are suppose to be free, yes? Failon asks. No, according to Crisostomo, as there are fees that students continue to be required to pay, to which Labrador says, report those schools that still have fees and the Dep Ed will take care of it. To which Crisostomo says, “hindi naman maiiwasan ‘yon.” Because really, if a school has to collect money for a bathroom that students can use, or an electric fan to ease the heat of a classroom with 70 students, who would complain?

Meanwhile, Labrador is left with nothing to say, and nothing to be proud of. Someone should’ve warned her that speaking of truths based merely on gov’t statistics, doesn’t hold in the face of someone like Crisostomo who has a real sense of what it is that actually happens on the ground, in the public schools, that half the time seems to only be a theory to the Dep Ed and GMA.

Of course it helped that Crisostomo was not your grim-and-determined scary activist. For most of Harapan, his charm was difficult to miss, informed as it was with knowing that truth was on his side – the kind that sustains organizations like his, because it is the truth that is lived by the majority who aren’t invited to speak in shows like this one.

LFS: one point. Dep Ed: zero.

host creation in contemporary times: part 2

Wednesday, July 30th, 2008

Beyond ABS-CBN

It is therefore no surprise that gone are the days when any actor or actress could just gather enough gumption to hold a microphone and instantly become TV host. So much more is at stake now, given the fact that many of these reality shows are expensive franchises. And it is that one host who needs to keep audiences from changing channels at any given time. (more…)

Saved by Salvatus! Notes on the Ateneo Art Awards 2010August 25th, 2010

a version of this was published in the Philippine Daily Inquirer, Arts and Books Section, August 23 2010.

Because Mark Salvatus and his work inspired by the Quezon Provincial Jail would be the most logical choice for the Ateneo Art Award 2010, to this critic who has seen most these artists’ exhibits when they came out in galleries and museums across the metro, and who does insist on relevance and resistance, and its possibilities in art.

Of the 12 short-listed artists with works in exhibition at the Shangri-la Plaza Mall’s Grand Atrium, Salvatus’ installation “Secret Garden” and painting “Do or Die” were the most outright political, speaking of the lives we’d rather forget about, the silence that is as noisy as our screams. The jail ain’t a pretty place, especially in the Philippines. The ugly ain’t the usual set of works that we see the Ateneo Art Awards (AAA) liking, and let’s not even begin about the political.

The argument would be of course, that everything is political. And looking at the manner in which this AAA exhibit exists can only be telling. In the context of this high-end mall, with mostly foreign shops, the second floor lobby filled with contemporary (and young) Pinoy art just seemed so out of place. Or maybe it was perfect. Read more…

Ruben de Jesus and the simple lifeAugust 9th, 2010

a version of this is in the Arts and Books Section of the Philippine Daily Inquirer, August 9 2010.

From afar, the first thing you notice about Ruben de Jesus’ works is its colors. Reds, blues and blacks are rendered in various and unexpected hues that play around with light and shadow and emphasis. Up close, each of the pen and ink works is a story in itself, at the same time that all together they could be bound into one children’s storybook. Simpleng Buhay, Simpleng Kulay (The Alcove, Filipinas Heritage Library, Makati Avenue) seems simple enough in theory, but in reality it speaks of a complexity that’s in the artwork, and more importantly is beyond it.

The choice of the simple

Last year, de Jesus mentioned the idea of paintings on the simple life to Filipinas Heritage, and while they were excited about it, de Jesus needed to be given much space and time to do it. Sometimes it wasn’t clear how much of the work was being done, or even how many artworks there were going to be. But a year after, there are 12 framed artworks all in all, six in blue and black and six in red and black, each one working with a particular moment in rural life that might be deemed simple, if not forgotten, maybe a reminiscence, by current standards of city life and development. Read more…

© 2009 Katrina Stuart Santiago