Archive for March, 2009

in defense of Nicole

Friday, March 20th, 2009

This is a translation of the transcript of Joms Salvador’s comments on the unthinking and insensitive soundbites that have come out of Nicole’s last sworn statement.  Click here for the original Filipino version.

I could not help but respond to the views this note on Nicole’s “retraction” has elicited.

First, on the basis of what’s preferable or not, it is true that it would’ve been better had Nicole and her family not “backed out”, if they didn’t get tired and just pushed through with the fight. From any given perspective — as a woman, as a Filipino, even as a victim — no one can say that in the eyes of the public, it was better that Nicole had executed her last affidavit.

But on the point of what is right and what is wrong — a moralistic enterprise that has as its by-products the notions of whether Nicole is scared or brave, selfish or selfless, shameful or decent — this should not be an issue here.

The reason is simple: we are not Nicole, we are not the woman who has had to face the distaste and ambivalence of the public, we are not the Filipina victim who is fighting a rapist, protected by both the US and Philippine governments.

Also, given that Nicole has conceded, has backed out at this point, does this mean that she wasn’t raped at all? If we analyze her affidavit well, she did not say that she wasn’t raped. What she said was this: she wasn’t sure if a rape happened. She said that maybe it was her fault, maybe she did or said something that allowed for her and Smith to become intimate.

Nowhere in the affidavit did Nicole say that she was taking back all the circumstances that surrounded the rape in Subic on November 1 2005: Smith carried a practically unconscious Nicole from the Nepture Bar as if she were a pig; Smith raped Nicole inside a moving Starex van; after which, Smith left Nicole on the sidewalk of Alava Pier, with her pants down and a used condom sticking to her skin. No one has said or proven these to be untrue, no one has said that none of these instances didn’t happen.

The Filipina Nicole was raped on November 1 2005 in Subic Philippines.

American soldier Daniel Smith raped her.

The law and the decision of the Makati Regional Trial Court are clear about Smith’s verdict: Smith took advantage of Nicole’s drunken state. Physical and circumstantial evidence proved that Smith raped Nicole.

Or have people conveniently forgotten this so that they can continue to view and judge Nicole based on the stereotype they so wish her to be?

Lastly, in order to understand Nicole and this last decision she has made, it is important to understand what rape is, and what happens to women victimized by it, especially for the ones like Nicole, who was raped by a soldier of the most powerful imperialist country in the world, who holds the most puppet-government in Asia by the neck.

This is the thing to do, instead of brandishing moralistic rhetoric to blame the victim of rape.

between the Philippine Daily Inquirer, among other major newspapers, posting images of her for all the world to see and calling the affidavit a “retraction” which IT IS NOT; between the conservative old men who fight among themselves (wow, namecalling! how macho!) and who think they are more intelligent than the rest of us because they (1) love to quote from the law (as if this has excused the Americans from trampling on this country time and again) and (2) blame everything on activism (as if they know what it means, when all they prove is that it has now become fashionable to be America-loving anti-activist fascists), and the women and men across generations who have said that Nicole is a disappointment, a waste of our time, a loser. what has become clear is this: we do not understand. and like the American soldier Daniel Smith, we would much rather work on the presumption that Nicole was a woman who deserved what she got (oh, pray tell, which kind of woman is this?), instead of seeing November 1 2005 for what it is: the night that a Filipina named Nicole was raped by American soldier Daniel Smith, period. 

rape has nothing to do with the social class, the career, the life of a woman — much less how much she drank — at that point of becoming victim. rape has everything to do with a man eaten up by hubris, and imagining that he can get away with violence.

tungkol kay Nicole ni Joms Salvador

Friday, March 20th, 2009

hindi ko mapigilang magkomento sa ilang mga naging pahayag hinggil sa note na ito.

una, sa pamantayan ng ‘preferable’ o hindi, totoo namang mas maganda sana kung hindi “umatras” si nicole at ang kanyang pamilya. kung hindi sana sila napagod at nagtuloy-tuloy na lang sa laban. sa anumang punto de bista — bilang kapwa babae, bilang kapwa Pilipino, o kahit pa bilang biktima — walang puwedeng magkaila na mas maganda at kaayaaya sa mata ng publiko kung hindi inexecute ni nicole yung huli niyang affidavit.

pero sa punto ng tama o mali — iyang moralistikong pagwawasiwas na iyan ng kaugnay ng pamantayang duwag ba o matapang, makasarili ba o selfless, kahiya-hiya ba o marangal — hindi dapat diyan hilahin ang usaping ito.

simple lang ang dahilan: hindi tayo si nicole, hindi tayo ang babaeng kailangang humarap sa alimura o ambivalence ng publiko, hindi tayo ang biktimang pinay na kinakalaban ang isang rapist na protektado kapwa ng gobyerno ng US at ng pilipinas.

pangalawa, kung sumuko man ngayon si nicole, ibig bang sabihin hindi na siya ni-rape? kung uuriratin ang bagong affidavit niya, wala siyang sinabing hindi siya ni-rape. ang sinabi niya ay hindi siya sigurado kung may rape na nangyari. sabi niya baka raw kasalanan niya, baka raw may ginawa o sinabi siya na naging dahilan para maging “intimate” sila ni smith.

wala ni isa man dun sa recent niyang affidavit ang nagsasaad na binabawi niya ang mga sirkumstansya ng rape sa subic noong nov 1, 2005 : binuhat palabas ni smith ang isang halos unconscious na si nicole mula sa neptune bar na parang baboy; ni-rape habang nasa loob ng umaandar na starex van; pagkatapos ay itinapon sa gilid ng daan sa may alava pier na nakababa pa ang pantalon at may nakadikit na gamit na condom. walang bumabawi sa ganitong mga paglalarawan at pagpapatotoong may nangyaring rape. ni-rape si nicole noong 2005 sa subic. at si daniel smith ang nang-rape sa kanya.

malinaw ang sinasabi ng batas at ang desisyon ng makati regional trial court sa verdict nito kay smith: sinamantala ni smith ang ganung state ni nicole. pinatunayan ng physical at circumstancial evidences na ni-rape ni smith si nicole.

o baka naman pati ito kinalimutan na ng ilan para lang sumakto sa iskema ng pagkastigo kay nicole?

huling punto na lang: para maunawaan si nicole at ang naging desisyon niya nitong huli, kailangang unawain kung ano ang rape at ano ang nangyayari sa mga babaeng biktima ng rape, lalo na iyong mga katulad ni nicole na ang nanggahasa ay sundalo ng pinakamakapangyarihang imperyalistang bansa sa daigdig na hawak sa leeg ang pinakatutang gobyerno sa asya.

mas mainam na gawin ito, kaysa magwasiwas ng kung anu-anong moralistikong retorika para manisi ng isang biktima ng rape.

Saved by Salvatus! Notes on the Ateneo Art Awards 2010August 25th, 2010

a version of this was published in the Philippine Daily Inquirer, Arts and Books Section, August 23 2010.

Because Mark Salvatus and his work inspired by the Quezon Provincial Jail would be the most logical choice for the Ateneo Art Award 2010, to this critic who has seen most these artists’ exhibits when they came out in galleries and museums across the metro, and who does insist on relevance and resistance, and its possibilities in art.

Of the 12 short-listed artists with works in exhibition at the Shangri-la Plaza Mall’s Grand Atrium, Salvatus’ installation “Secret Garden” and painting “Do or Die” were the most outright political, speaking of the lives we’d rather forget about, the silence that is as noisy as our screams. The jail ain’t a pretty place, especially in the Philippines. The ugly ain’t the usual set of works that we see the Ateneo Art Awards (AAA) liking, and let’s not even begin about the political.

The argument would be of course, that everything is political. And looking at the manner in which this AAA exhibit exists can only be telling. In the context of this high-end mall, with mostly foreign shops, the second floor lobby filled with contemporary (and young) Pinoy art just seemed so out of place. Or maybe it was perfect. Read more…

Ruben de Jesus and the simple lifeAugust 9th, 2010

a version of this is in the Arts and Books Section of the Philippine Daily Inquirer, August 9 2010.

From afar, the first thing you notice about Ruben de Jesus’ works is its colors. Reds, blues and blacks are rendered in various and unexpected hues that play around with light and shadow and emphasis. Up close, each of the pen and ink works is a story in itself, at the same time that all together they could be bound into one children’s storybook. Simpleng Buhay, Simpleng Kulay (The Alcove, Filipinas Heritage Library, Makati Avenue) seems simple enough in theory, but in reality it speaks of a complexity that’s in the artwork, and more importantly is beyond it.

The choice of the simple

Last year, de Jesus mentioned the idea of paintings on the simple life to Filipinas Heritage, and while they were excited about it, de Jesus needed to be given much space and time to do it. Sometimes it wasn’t clear how much of the work was being done, or even how many artworks there were going to be. But a year after, there are 12 framed artworks all in all, six in blue and black and six in red and black, each one working with a particular moment in rural life that might be deemed simple, if not forgotten, maybe a reminiscence, by current standards of city life and development. Read more…

© 2009 Katrina Stuart Santiago