Archive for June, 2009

on The Male Voice

Tuesday, June 9th, 2009

a version of this was published in the Philippine Daily Inquirer yesterday, June 8 2009, Arts and Books Section.

It begins simply enough, with four chairs, four small tables, and two clothes racks onstage. The moment the actors begin the first monologue “I Am Man” though, it becomes clear that this is going to be more complex than that stage and its four actors.

Because there is more to making a powerful and revolutionary play than just being inspired by the Vagina Monologues, and reconfiguring it to highlight man’s “humanity”. There more to the project of New Voice Company’s The Male Voice than just telling the individual stories of countless men to pinpoint their existence as affected members of family and society. There must be more to this than that cliché of an ending: men will choose to be part of the solution, instead of the problem. (more…)

what party(list)?

Sunday, June 7th, 2009

the list of congressmen who voted yes to the ConAss has been making the rounds of egoups and email inboxes. but more than giving us the names of those we MUST NOT VOTE FOR, i have found it more interesting, the partylist representatives and therefore organizations, that are part of this ‘wag iboto list.

BRIONES, NICANOR M. AGAP Party list
ESTRELLA, ROBERT RAYMUND M. ABONO Party List
PABLO, ERNESTO C. APEC Party List
SANTIAGO, NARCISO D. (III) ARC Party List
VALDEZ, EDGAR L. APEC Party List

a look at AGAP Partylist’s website doesn’t give much information, only that they are “coordinating with” government offices including GMA’s, to “protect and promote the welfare of the hog and poultry industry” in the country.

the three other partylist organization don’t have websites, and there is very little information on them. ARC stands for Alliance of Rural Concerns — which seems like a huge umbrella organization, yes? — but doesn’t seem to stand for a concrete constituency. according to this news article from 2007, ARC advocates for CARP: “We value CARP despite its acknowledged defects, and look to the DAR as a principled partner in the struggle of the rural people for reforms and better life.”

they forget that the DAR and the CARP are both already enemies of the farmers of this country, something that has been proven by the continued existence of the Hacienda Luisitas in our midst, and by even more current events such as Henry Sy’s takeover of 8,000 hectares of prime agricultural land. too, that there is an alternative, one that’s about REAL agrarian reform: the Genuine Agrarian Reform Bill or GARB.

there isn’t much on Abono Partylist online either, except for news reports that they were topping the COMELEC count in the elections, and that they are an agricultural-fertilizer partylist.

and then there’s APEC Partylist, which apparently has the richest of congressmen in its ranks. it stands for Association of Philippine Electric Cooperatives, which seems self-explanatory.

there is no information on the constituencies of these partylist organizations, a requirement for partylist registration with the COMELEC. and the one org that had a website, listed all of two members — TWO MEMBERS!

but too, what might be more obvious here is that there doesn’t seem to be a clear marginalized sector being represented by any of these congressmen who voted yes to the ConAss. if anything, we have congressmen who represent capitalists who sell fertilizer, hogs and poultry, and electricity.

this tells us that we shouldn’t be giving this vote away. NOT.AT.ALL.

Saved by Salvatus! Notes on the Ateneo Art Awards 2010August 25th, 2010

a version of this was published in the Philippine Daily Inquirer, Arts and Books Section, August 23 2010.

Because Mark Salvatus and his work inspired by the Quezon Provincial Jail would be the most logical choice for the Ateneo Art Award 2010, to this critic who has seen most these artists’ exhibits when they came out in galleries and museums across the metro, and who does insist on relevance and resistance, and its possibilities in art.

Of the 12 short-listed artists with works in exhibition at the Shangri-la Plaza Mall’s Grand Atrium, Salvatus’ installation “Secret Garden” and painting “Do or Die” were the most outright political, speaking of the lives we’d rather forget about, the silence that is as noisy as our screams. The jail ain’t a pretty place, especially in the Philippines. The ugly ain’t the usual set of works that we see the Ateneo Art Awards (AAA) liking, and let’s not even begin about the political.

The argument would be of course, that everything is political. And looking at the manner in which this AAA exhibit exists can only be telling. In the context of this high-end mall, with mostly foreign shops, the second floor lobby filled with contemporary (and young) Pinoy art just seemed so out of place. Or maybe it was perfect. Read more…

Ruben de Jesus and the simple lifeAugust 9th, 2010

a version of this is in the Arts and Books Section of the Philippine Daily Inquirer, August 9 2010.

From afar, the first thing you notice about Ruben de Jesus’ works is its colors. Reds, blues and blacks are rendered in various and unexpected hues that play around with light and shadow and emphasis. Up close, each of the pen and ink works is a story in itself, at the same time that all together they could be bound into one children’s storybook. Simpleng Buhay, Simpleng Kulay (The Alcove, Filipinas Heritage Library, Makati Avenue) seems simple enough in theory, but in reality it speaks of a complexity that’s in the artwork, and more importantly is beyond it.

The choice of the simple

Last year, de Jesus mentioned the idea of paintings on the simple life to Filipinas Heritage, and while they were excited about it, de Jesus needed to be given much space and time to do it. Sometimes it wasn’t clear how much of the work was being done, or even how many artworks there were going to be. But a year after, there are 12 framed artworks all in all, six in blue and black and six in red and black, each one working with a particular moment in rural life that might be deemed simple, if not forgotten, maybe a reminiscence, by current standards of city life and development. Read more…

© 2009 Katrina Stuart Santiago