Archive for the ‘akademya’ Category

the sadness of here in Ypil’s highest hiding place

Thursday, April 15th, 2010

a version of this was published in the Philippine Daily Inquirer, April 14 2010.

Lawrence Lacambra Ypil’s first books of poems has many things going against it, including the fact that it is poetry and that it is in English, both of which limit it to a particular audience. More importantly, it comes at a time when the kind of Philippine poetry in English that’s celebrated – if publication and recent award-winning collections are any indication – has been about going beyond the person and the personal in the poem, almost a poem-for-and-of-the-world, where the nation is missed/missing/ disappeared, the text existing beyond the page and into a realm of learnedness and influences that it requires the reader to inhabit. This, at a time when people continue to think poetry too difficult, and Filipino poetry too removed from the conditions that are real to us. In this sense, the debate has become too simple: the easy/ confessional/personal poem, or the difficult/conceptual/landless poem?

The Highest Hiding Place (Ateneo de Manila Press, 2009) by Ypil lands right smack in the middle of this debate, not falling clearly on either side of it. There is a refusal to be easily about personal confessions here, even as these poems seem to refuse difficulty. It experiments with forms, yes, and necessarily does with content too, but it does both without refusing the reader entry into the poem. (more…)

hypocrisy, plagiarism, and four (not just three) plagiarized speeches from MVP’s speechwriters

Wednesday, April 14th, 2010

Jessica Zafra posted this in her blog, thank goodness for her, as I had been putting it off, even when it has been in my public Facebook account since yesterday morning.

here is the list of three speeches and their sources that’s been going around, with an additional one — the first one — which hasn’t been posted before.

1. at the ateneo family congress, 2009 – MVP’s speechoriginal 1original 2

2. at the opening of the new Ateneo lib, 2010 – MVP speechoriginal

3. post-Ondoy speech on corporate social responsibility, 2009 – MVP speechoriginal 1original 2original 3

4. commencement speech in Xavier University-Ateneo de Cagayan, 2007 – MVP speechoriginal 1original 2original 3

why did i think twice about posting it here? i didn’t, still don’t, want it to seem like 1) i’m out to do MVP in and 2) i’m being a hypocrite here.

the hypocrisy, I’m told, comes from my own personal knowledge of how plagiarism happens all the time, in the academe in particular, maybe within the walls of the institutions that I have served as student/researcher/writer in U.P. Diliman, and teacher/writer in the AdMU. hypocrisy has to do with this: to make MVP resign, tell him at this point to leave Ateneo, is to pretend that we — the academic community — are clean.

I beg to disagree. I don’t understand why we can’t work from the big fish that’s caught and let the smaller fish freak out and come out, of their own volition, about their own intellectual dishonesties.

i do not doubt this truth: the moment MVP’s plagiarized speeches are proven to matter because the academe kicks him out despite all his money, then every other academic and scholar will be scared shitless about his or her own intellectual dishonesties. MVP himself says it:

The challenge of leadership precisely is to create an environment where honesty is paramount, where integrity emanates from the top and builds success from the ground.

i think at this point, what would be hypocritical is to deny that money is talking pretty loudly in this case of plagiarism versus MVP. and please, read these speeches, read the originals. you will find that it isn’t true that what he was reading/saying was essentially about him. some of the more emotional/personal/beautiful lines weren’t his at all.

and now for other lessons in citing your sources, Abs-cbnnews.com, when your source quotes another source, then please revert to the primary source, i.e., me. Jessica had the grace to say that her source about the MVP speeches was my public FB note. the least you could’ve done was to cite me the way she did, diba? if not find that original site where the information first appeared.

as with MVP’s plagiarized speeches, all you needed to do was Google me.

Saved by Salvatus! Notes on the Ateneo Art Awards 2010August 25th, 2010

a version of this was published in the Philippine Daily Inquirer, Arts and Books Section, August 23 2010.

Because Mark Salvatus and his work inspired by the Quezon Provincial Jail would be the most logical choice for the Ateneo Art Award 2010, to this critic who has seen most these artists’ exhibits when they came out in galleries and museums across the metro, and who does insist on relevance and resistance, and its possibilities in art.

Of the 12 short-listed artists with works in exhibition at the Shangri-la Plaza Mall’s Grand Atrium, Salvatus’ installation “Secret Garden” and painting “Do or Die” were the most outright political, speaking of the lives we’d rather forget about, the silence that is as noisy as our screams. The jail ain’t a pretty place, especially in the Philippines. The ugly ain’t the usual set of works that we see the Ateneo Art Awards (AAA) liking, and let’s not even begin about the political.

The argument would be of course, that everything is political. And looking at the manner in which this AAA exhibit exists can only be telling. In the context of this high-end mall, with mostly foreign shops, the second floor lobby filled with contemporary (and young) Pinoy art just seemed so out of place. Or maybe it was perfect. Read more…

Ruben de Jesus and the simple lifeAugust 9th, 2010

a version of this is in the Arts and Books Section of the Philippine Daily Inquirer, August 9 2010.

From afar, the first thing you notice about Ruben de Jesus’ works is its colors. Reds, blues and blacks are rendered in various and unexpected hues that play around with light and shadow and emphasis. Up close, each of the pen and ink works is a story in itself, at the same time that all together they could be bound into one children’s storybook. Simpleng Buhay, Simpleng Kulay (The Alcove, Filipinas Heritage Library, Makati Avenue) seems simple enough in theory, but in reality it speaks of a complexity that’s in the artwork, and more importantly is beyond it.

The choice of the simple

Last year, de Jesus mentioned the idea of paintings on the simple life to Filipinas Heritage, and while they were excited about it, de Jesus needed to be given much space and time to do it. Sometimes it wasn’t clear how much of the work was being done, or even how many artworks there were going to be. But a year after, there are 12 framed artworks all in all, six in blue and black and six in red and black, each one working with a particular moment in rural life that might be deemed simple, if not forgotten, maybe a reminiscence, by current standards of city life and development. Read more…

© 2009 Katrina Stuart Santiago