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	<title>radical chick &#187; arteng biswal</title>
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	<link>http://radikalchick.com</link>
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		<title>saved by salvatus! notes on the ateneo art awards 2010</title>
		<link>http://radikalchick.com/saved-by-salvatus-notes-on-the-ateneo-art-awards-2010/</link>
		<comments>http://radikalchick.com/saved-by-salvatus-notes-on-the-ateneo-art-awards-2010/#comments</comments>
		<pubDate>Wed, 25 Aug 2010 11:59:44 +0000</pubDate>
		<dc:creator>ina</dc:creator>
				<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[AAA]]></category>
		<category><![CDATA[art in malls]]></category>
		<category><![CDATA[art installation]]></category>
		<category><![CDATA[Ateneo Art Awards]]></category>
		<category><![CDATA[Ateneo Art Awards 2010]]></category>
		<category><![CDATA[Leslie de Chavez]]></category>
		<category><![CDATA[mall installation]]></category>
		<category><![CDATA[Mark Salvatus]]></category>
		<category><![CDATA[philippine contemporary art]]></category>
		<category><![CDATA[Pinoy art]]></category>
		<category><![CDATA[popularizing art]]></category>
		<category><![CDATA[Pow Martinez]]></category>
		<category><![CDATA[Shangrila Plaza Mall]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=626</guid>
		<description><![CDATA[a version of this was published in the Philippine Daily Inquirer, Arts and Books Section, August 23 2010. Because Mark Salvatus and his work inspired by the Quezon Provincial Jail would be the most logical choice for the Ateneo Art &#8230; <a href="http://radikalchick.com/saved-by-salvatus-notes-on-the-ateneo-art-awards-2010/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://radikalchick.com/saved-by-salvatus-notes-on-the-ateneo-art-awards-2010/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>ruben de jesus and the simple life</title>
		<link>http://radikalchick.com/ruben-de-jesus-and-the-simple-life/</link>
		<comments>http://radikalchick.com/ruben-de-jesus-and-the-simple-life/#comments</comments>
		<pubDate>Sun, 08 Aug 2010 20:33:31 +0000</pubDate>
		<dc:creator>ina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[children's illustrator]]></category>
		<category><![CDATA[children's literature]]></category>
		<category><![CDATA[complexity in art]]></category>
		<category><![CDATA[contemporary art]]></category>
		<category><![CDATA[Filipinas Heritage Library]]></category>
		<category><![CDATA[Ilustrado ng Kabataan]]></category>
		<category><![CDATA[INK]]></category>
		<category><![CDATA[philippine art]]></category>
		<category><![CDATA[philippine contemporary art]]></category>
		<category><![CDATA[Ruben de Jesus]]></category>
		<category><![CDATA[Simpleng Buhay]]></category>
		<category><![CDATA[Simpleng Kulay]]></category>
		<category><![CDATA[simplicity in art]]></category>
		<category><![CDATA[Totet de Jesus]]></category>
		<category><![CDATA[University of the Philippines College of Fine Arts]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=622</guid>
		<description><![CDATA[a version of this is in the Arts and Books Section of the Philippine Daily Inquirer, August 9 2010. From afar, the first thing you notice about Ruben de Jesus’ works is its colors. Reds, blues and blacks are rendered &#8230; <a href="http://radikalchick.com/ruben-de-jesus-and-the-simple-life/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>layers of power in imao’s open endings</title>
		<link>http://radikalchick.com/layers-of-power-in-imao%e2%80%99s-open-endings/</link>
		<comments>http://radikalchick.com/layers-of-power-in-imao%e2%80%99s-open-endings/#comments</comments>
		<pubDate>Tue, 27 Jul 2010 19:28:36 +0000</pubDate>
		<dc:creator>ina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[1/of Gallery]]></category>
		<category><![CDATA[filipino sculptors]]></category>
		<category><![CDATA[Juan Sajid Imao]]></category>
		<category><![CDATA[philippine sculpture]]></category>
		<category><![CDATA[power of knowing]]></category>
		<category><![CDATA[power of living]]></category>
		<category><![CDATA[power of sculpture]]></category>
		<category><![CDATA[power of self]]></category>
		<category><![CDATA[sculpture as culture]]></category>
		<category><![CDATA[scuplture]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=604</guid>
		<description><![CDATA[The one thing that resonates about Juan Sajid Imao’s recent work is its pain, and how this seamlessly intertwines with strength in black and red brass sculptures that make up Open Endings (Net Quad, Deutsche Knowledge Services Lobby, presented by &#8230; <a href="http://radikalchick.com/layers-of-power-in-imao%e2%80%99s-open-endings/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Art For Our Times in Dekalogo 2010</title>
		<link>http://radikalchick.com/art-for-our-times-in-dekalogo-2010/</link>
		<comments>http://radikalchick.com/art-for-our-times-in-dekalogo-2010/#comments</comments>
		<pubDate>Thu, 01 Jul 2010 15:47:30 +0000</pubDate>
		<dc:creator>ina</dc:creator>
				<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[Anthony Palomo]]></category>
		<category><![CDATA[art exhibit]]></category>
		<category><![CDATA[CANVAS]]></category>
		<category><![CDATA[contemporary art]]></category>
		<category><![CDATA[contemporary Pinoy art]]></category>
		<category><![CDATA[Cris Villanueva]]></category>
		<category><![CDATA[Dekalogo]]></category>
		<category><![CDATA[Dekalogo 2010]]></category>
		<category><![CDATA[Elmer Borlongan]]></category>
		<category><![CDATA[exhibits]]></category>
		<category><![CDATA[Ferdie Montemayor]]></category>
		<category><![CDATA[Jim Orencio]]></category>
		<category><![CDATA[John Jose Santos III]]></category>
		<category><![CDATA[Karen Flores]]></category>
		<category><![CDATA[Manny Garibay]]></category>
		<category><![CDATA[Neil Manalo]]></category>
		<category><![CDATA[Tammy Tan]]></category>
		<category><![CDATA[Vargas Museum]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=577</guid>
		<description><![CDATA[a version of this was published in the Arts and Books Section of the Philippine Daily Inquirer, June 21 2010. In May 1898, Apolinario Mabini wrote his Dekalogo, a list which reconfigures the 10 commandments into one that does not &#8230; <a href="http://radikalchick.com/art-for-our-times-in-dekalogo-2010/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Heroism and cliché in Looking for Juan 2010</title>
		<link>http://radikalchick.com/heroism-and-cliche-in-looking-for-juan-2010/</link>
		<comments>http://radikalchick.com/heroism-and-cliche-in-looking-for-juan-2010/#comments</comments>
		<pubDate>Mon, 31 May 2010 19:44:06 +0000</pubDate>
		<dc:creator>ina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[CANVAS]]></category>
		<category><![CDATA[cliche]]></category>
		<category><![CDATA[cliche in art]]></category>
		<category><![CDATA[contemporary art]]></category>
		<category><![CDATA[contemporary Pinoy art]]></category>
		<category><![CDATA[exhibits]]></category>
		<category><![CDATA[false heroes]]></category>
		<category><![CDATA[filipino identity]]></category>
		<category><![CDATA[filipino identity in art]]></category>
		<category><![CDATA[Looking For Juan]]></category>
		<category><![CDATA[stereotypes]]></category>
		<category><![CDATA[universal heroes]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=573</guid>
		<description><![CDATA[a version of this was published in the Philippine Daily Inquirer, May 31 2010. It is everything and fantastic this CANVAS project that is Looking For Juan. After all, the overwrought discussion of identity seems to be at a dead-end, &#8230; <a href="http://radikalchick.com/heroism-and-cliche-in-looking-for-juan-2010/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>when &#8216;i love you&#8217; is enough</title>
		<link>http://radikalchick.com/560/</link>
		<comments>http://radikalchick.com/560/#comments</comments>
		<pubDate>Tue, 04 May 2010 16:34:20 +0000</pubDate>
		<dc:creator>ina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[Agnes Arellano]]></category>
		<category><![CDATA[contemporary art]]></category>
		<category><![CDATA[contemporary Pinoy art]]></category>
		<category><![CDATA[Hiraya Gallery]]></category>
		<category><![CDATA[humor in art]]></category>
		<category><![CDATA[i love you]]></category>
		<category><![CDATA[Lindslee]]></category>
		<category><![CDATA[Manila Contemporary]]></category>
		<category><![CDATA[Mark Salvatus]]></category>
		<category><![CDATA[philippine art]]></category>
		<category><![CDATA[visual arts]]></category>
		<category><![CDATA[wit in art]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=560</guid>
		<description><![CDATA[Not quite impressed with the valentine exhibit at Manila Contemporary in February – save for Angelo Suarez’s “Not the Object, But the Energy It Consumes Over Time” and Rachel Rillo’s “Keep It Taut” – I was ready to be disappointed &#8230; <a href="http://radikalchick.com/560/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Art thinks highly of itself in “The Death of Death”</title>
		<link>http://radikalchick.com/death-of-death/</link>
		<comments>http://radikalchick.com/death-of-death/#comments</comments>
		<pubDate>Tue, 20 Apr 2010 17:00:48 +0000</pubDate>
		<dc:creator>ina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[cliche in art]]></category>
		<category><![CDATA[contemporary art]]></category>
		<category><![CDATA[Igan D'Bayan]]></category>
		<category><![CDATA[Kawayan de Guia]]></category>
		<category><![CDATA[Mm Yu]]></category>
		<category><![CDATA[philippine art]]></category>
		<category><![CDATA[Pinoy art]]></category>
		<category><![CDATA[The Death of Death]]></category>
		<category><![CDATA[visual arts]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=549</guid>
		<description><![CDATA[A version of this was published in the Philippine Daily Inquirer, April 19 2010, in the Arts and Books section. There was nothing exciting about the façade of the space where “The Death of Death (is alive and kicking”) (SM &#8230; <a href="http://radikalchick.com/death-of-death/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>in defense of (art) criticism!</title>
		<link>http://radikalchick.com/in-defense-of-art-criticism/</link>
		<comments>http://radikalchick.com/in-defense-of-art-criticism/#comments</comments>
		<pubDate>Sun, 28 Mar 2010 09:45:17 +0000</pubDate>
		<dc:creator>ina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[art criticism]]></category>
		<category><![CDATA[contemporary art]]></category>
		<category><![CDATA[contemporary crticisim]]></category>
		<category><![CDATA[contemporary Pinoy art]]></category>
		<category><![CDATA[criticism]]></category>
		<category><![CDATA[Manuel Ocampo]]></category>
		<category><![CDATA[philippine criticism]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=515</guid>
		<description><![CDATA[via thepoc.net&#8217;s Metakritiko section. I don’t know Angelo Suarez, Gelo, personally, but I appreciate his (virtual) presence in the way that I tend to love every other person who has the gall/temerity/balls man/woman/gay to speak his mind even when it’s &#8230; <a href="http://radikalchick.com/in-defense-of-art-criticism/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Reconsidering Identity in the Aquilizan retrospective</title>
		<link>http://radikalchick.com/reconsidering-identity-in-the-aquilizan-retrospective/</link>
		<comments>http://radikalchick.com/reconsidering-identity-in-the-aquilizan-retrospective/#comments</comments>
		<pubDate>Sat, 20 Mar 2010 07:44:36 +0000</pubDate>
		<dc:creator>ina</dc:creator>
				<category><![CDATA[akademya]]></category>
		<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=509</guid>
		<description><![CDATA[a version of this was published in the Philippine Daily Inquirer, Arts and Books Section, March 15 2010. I almost balked at the sight of the U.P. Vargas Museum from afar. I was there for the retrospective exhibit of Alfredo &#8230; <a href="http://radikalchick.com/reconsidering-identity-in-the-aquilizan-retrospective/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>kawayan takes a walk on the blindside</title>
		<link>http://radikalchick.com/kawayan-takes-a-walk-on-the-blindside/</link>
		<comments>http://radikalchick.com/kawayan-takes-a-walk-on-the-blindside/#comments</comments>
		<pubDate>Mon, 01 Mar 2010 10:58:17 +0000</pubDate>
		<dc:creator>ina</dc:creator>
				<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[kapitalista]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=504</guid>
		<description><![CDATA[It seems too easy, really. On one July 4, Kawayan de Guia found himself in America, and felt removed from what was a major celebration in the land of milk and honey. On this day, he decides to take a &#8230; <a href="http://radikalchick.com/kawayan-takes-a-walk-on-the-blindside/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
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