Archive for the ‘iconography’ Category

cheche lazaro retires

Sunday, August 29th, 2010

It is rare to meet a woman you would trust with your life, but here was Cheche Lazaro, telling me about why she was retiring, what it is she’s most proud of, and where she will go from here—it was difficult not to be overwhelmed. After all, Cheche’s Probe Productions has so many awards tucked under its belt, and even more achievements that are invisible and non-material.

One such intangible honor is this: for my generation (I was born in the ‘70s), The Probe Team was a crucial touchstone for journalism, known for going the extra mile, crossing that roaring river, and taking a free fall off of a cliff—all for the possibility of a story, something the Philippines has always had in abundance, with too few tellers to tell them. Journalism was (and in some ways still is) a battlefield, fraught with danger and opponents, with the possibility of things exploding just under one’s feet an ever-present companion. As a truthsayer, Cheche Lazaro has been a hero in this field for a long time, so her retirement in many ways marks the end of an era.

click this for the rest of it!

check out charice’s cheeks, or it’s a vicky belo world, good lord, save us!

Wednesday, July 21st, 2010

and no, this isn’t about hayden kho, at this point staying in bad relationships and publicizing them seems more stupid than it is unacceptable. but really, the way this woman has crossed that line between selling beauty and making it an ideology, even a religion, as if beauty is the end all and be all of our lives, and no do not tell me about artistas.

because there are plenty of artistas who don’t have, and will choose not, to go through medical and dermatological procedures to be “perfect”, plenty artistas who in fact refuse perfect and say, well, i’m talented, and what are  you?  we grew up seeing Judy Ann Santos’ big cheeks, and what did she do? when it was time she lost weight and lost it, too. Iza Calzado was a big girl on television, and yes with fuller cheeks, and the next this we knew she had lost weight and was being healthy about her diet.

there was no Belo to do an injection here, a tuck there, no Belo to tell them, well, this is what you need to be pretty. because what is this pretty that Belo sells? plumper lips? less of a chin? pointed noses? deep-set eyes?

botox on those cheeks para “mawala ang bulge”? thermage on the face para “lumiit ang mukha”? good lord, Vicky Belo, when does it stop? and at what age, praytell?

because to have even allowed Charice Pempengco to go through that botox procedure, one that’s suppose to bring back how the international singer looked three years ago! is just sick. three years ago she was 15! tell me, show me, how important it is that an 18 year old girl look like she’s 15. tell me how this is all important, the enterprise of the cheeks, let’s all get smaller faces people, this is what’s deemed important by the best-looking woman on the face of this third world planet.

and please, read up on the order of events, and realize that this whole TMJ ailment that they now say Charice had, ergo the botox and thermage? it happens after the fact. and really, if there was an ailment, why not go to a real doctor? Belo meanwhile had what seemed to her a perfectly rationale, albeit shallow, explanation for why she herself recommended these procedures to this young girl. Charice herself would go on to say that she wanted to look “fresh” for her Glee role.

well honey, that show has a guy in a wheelchair, an overweight girl, a chinky-eyed pale teenager, and big-mouthed wide-eyed lead star. the whole point of Glee is that these highschool nobodys, these stereotypical outcasts, find their voices and selves in the glee club through sheer acceptance of their flaws, as it is the realization of their talents. and i say to your supporters, google it and read up.

looking “fresh” is farthest from Glee’s repertoire. and so are smaller cheeks. elsewhere in the world, it is not a Vicky Belo aesthetic or ideology that rules. now Charice appears in websites like famousplastic.com and awfulplasticsurgery.com. how can that be a good thing?

Saved by Salvatus! Notes on the Ateneo Art Awards 2010August 25th, 2010

a version of this was published in the Philippine Daily Inquirer, Arts and Books Section, August 23 2010.

Because Mark Salvatus and his work inspired by the Quezon Provincial Jail would be the most logical choice for the Ateneo Art Award 2010, to this critic who has seen most these artists’ exhibits when they came out in galleries and museums across the metro, and who does insist on relevance and resistance, and its possibilities in art.

Of the 12 short-listed artists with works in exhibition at the Shangri-la Plaza Mall’s Grand Atrium, Salvatus’ installation “Secret Garden” and painting “Do or Die” were the most outright political, speaking of the lives we’d rather forget about, the silence that is as noisy as our screams. The jail ain’t a pretty place, especially in the Philippines. The ugly ain’t the usual set of works that we see the Ateneo Art Awards (AAA) liking, and let’s not even begin about the political.

The argument would be of course, that everything is political. And looking at the manner in which this AAA exhibit exists can only be telling. In the context of this high-end mall, with mostly foreign shops, the second floor lobby filled with contemporary (and young) Pinoy art just seemed so out of place. Or maybe it was perfect. Read more…

Ruben de Jesus and the simple lifeAugust 9th, 2010

a version of this is in the Arts and Books Section of the Philippine Daily Inquirer, August 9 2010.

From afar, the first thing you notice about Ruben de Jesus’ works is its colors. Reds, blues and blacks are rendered in various and unexpected hues that play around with light and shadow and emphasis. Up close, each of the pen and ink works is a story in itself, at the same time that all together they could be bound into one children’s storybook. Simpleng Buhay, Simpleng Kulay (The Alcove, Filipinas Heritage Library, Makati Avenue) seems simple enough in theory, but in reality it speaks of a complexity that’s in the artwork, and more importantly is beyond it.

The choice of the simple

Last year, de Jesus mentioned the idea of paintings on the simple life to Filipinas Heritage, and while they were excited about it, de Jesus needed to be given much space and time to do it. Sometimes it wasn’t clear how much of the work was being done, or even how many artworks there were going to be. But a year after, there are 12 framed artworks all in all, six in blue and black and six in red and black, each one working with a particular moment in rural life that might be deemed simple, if not forgotten, maybe a reminiscence, by current standards of city life and development. Read more…

© 2009 Katrina Stuart Santiago