Archive for the ‘kalye’ Category

cory and (lost) memory

Monday, August 3rd, 2009

the only thing that links me to Cory Aquino is really memory. because while yes, it has been about these images of yellow my grandfather and mother carried, as her death sinks in it’s also about many other images in my head.

of Butz Aquino and ATOM, and an uncle who was part of it. of Kuya at 13 asking that he be allowed to go with our older cousins to EDSA because, as he told my mother, what if there are 999,999 people there? he would make it one million! of a lola who scolded my lolo waving a huge foam laban sign at helicopters hovering over their house: friend! baka mabaril ka!

of being 10 years old, and not knowing much, really. except that three years earlier, Mama was so depressed that Ninoy Aquino was murdered. of finally seeing Cory, his widow, and of watching her campaign with Doy Laurel, and of the yellow and green fighting it out with the red and blue. of crazy elections, and walking with my father to Sto. Domingo Church to see who was winning in our district.

but too, i remember how at a certain point, there were no bottles of San Miguel Beer at our reunions. and the blue tubs of Magnolia Ice Cream were conspicuously absent, too. i imagine now that the adults must have had some Gold Eagle Beer, because what the kids had were Selecta Ice Cream, the less famous, therefore we presumed, less tasty choice.

but it must have tasted the same. after all ice cream is just ice cream to a kid.

what was different, i realize now, was how that unfamiliar tub of ube ice cream was a symbol of a nation coming together. of supporting this woman battling it out with the masculine dictatorship. of believing that it was possible to change things by choosing a different ice cream — or beer — brand. i realize now that this belief in Cory’s call for a civil disobedience campaign, did bank on innocence. a naivete about how capitalism works, and how a boycott rarely does.

that it was successful is also so telling of why our collective memory as articulated by the media has yet to remember this aspect of Cory’s rise as the widow who beat a dictatorship. maybe we have become afraid of remembering that it is possible to hold capitalism by the balls. maybe we have also ceased to appreciate our capacity at believing in one person enough, to change our lifestyles around her cause. maybe we have lost all innocence.

and with Cory dying, in the midst of another dictatorship, maybe even all hope.

seeing yellow

Sunday, July 26th, 2009

last friday, along katipunan avenue, ugly pink MMDA street dividers had yellow ribbons. today, driving through The Fort, lampposts and trees adorned with the same. on GMA 7’s sunday noontime variety show earlier today, all artists had yellow ribbons and pins on their shirts, Judy Ann Santos was in a crazy yellow bustier.

the UAAP’s main game between U.P. and Ateneo this afternoon had all basketball players and coaches with yellow ribbons attached to their uniforms.

and as in 1983, when mama had a yellow ribbon tied to our car, i found myself tying a yellow ribbon on my car last friday. it was meant to disappear, which it surely did by late that evening. but it was also meant to fly with the winds of the University of Makati, where the car was parked the whole day, the only car that was yellowed.

my love for cory isn’t so much about what she did for country as president — my activist-self keeps me from appreciating her in that way. but her icon is replete with memories. (more…)

kawayan takes a walk on the blindsideMarch 1st, 2010

It seems too easy, really. On one July 4, Kawayan de Guia found himself in America, and felt removed from what was a major celebration in the land of milk and honey. On this day, he decides to take a 30-kilometer walk on non-descript Route 66, which may be part of his personal history of walking, yes, but to a spectator who needs no personal history, could really be about so many other things.

Which is really what works for Bored on the 4th of July (Ateneo Art Gallery, Ateneo de Manila University) an exhibit borne of de Guia’s New York Art Residency Grant. An installation of photos that de Guia took on this walk of purported boredom, what was striking to begin with about this exhibit was the fact that it really is just a bunch of photos. The current propensity for capturing images of moments and keeping memories, with social networking sites and the internet’s enterprise of sharing and developing relationships through these swiftly changing images, this is exciting as it is possibly boring. For really, when I can put an album online of my own walk through an unfamiliar street in an alien city, wouldn’t my own captured images necessarily be as important, if not more so, than someone else’s? Read more…

Lack or irony in Happily UnhappyFebruary 9th, 2010

a version of this was published in the Arts and Books Section of the Philippine Daily Inquirer, 8 February 2010.

A group exhibit such as Happily Unhappy (Blanc Gallery, Mandaluyong) has a lot going for it, other than the possibility, and the fact, of a smorgasbord of artists. There is the brilliance of a concept, the idea of being happy with one’s unhappiness, that can carry an exhibit like this to, well, brilliance. This of course banks on the infinite possibilities that a title such as this allows: what is it to be happily unhappy? Where does one take that idea, and how can it be configured and reconfigured? It also presumes a certain amount of irony, yes? Because that title is, if we must state the obvious, ironic.

But apparently the danger with irony in an exhibit such as Happily Unhappy (curated by Jordin Isip and Louie Cordero) is the possibility that a greater number of the participating artists would work with the concept in the same way, i.e., talk about the same kind of happy unhappiness. The irony then becomes less potent, less obvious, less than what’s expected. Read more…

Lee Navas Olazo rock the new year!January 26th, 2010

A two-man one-woman show featuring Romeo Lee, Elaine Navas and Jonathan Olazo (Manila Contemporary, 2314 Pasong Tamo Ext), opens the year 2010 with a bang of bold strokes and crazy textures. The diversity of course lies in the kind of works that these three artists are famous for, a diversity that necessarily lies in form, but more importantly in subject matter.

It’s Navas’ three panels that capture the eye upon entering the gallery, with her signature impasto technique and an amalgamation of green. The four panels that make up “Asborbed” “Found” and “In Between” could easily be different angles of the same forest rendered in still life. What makes it unique is Navas’ use of a technique that seems to bring this forest to life, engaging the spectator in the familiarity of the moment captured: the trees and leaves all tangled up, a bit of sunlight cutting through the chaos. It calls out to the spectator in the way the unknown does, where being in between is the same as being found, as one is absorbed into discovery as well.

In “Wishingbone” Navas’ still life isn’t so much about the engagement with what’s familiar, but a rendering of the familiar into strangeness. The wishing bone, which connotes hope, is shown as a headless fish skeleton hanging upside down, a query into the idea of a wishingbone and what it is in truth: a surrender, an end in itself, a moment up in the air. It’s this same suspension of belief that is apparent in Navas’ two other works “Solo” and “Pink Mutations”, as both work with crumpled unidentifiable forms that seem to be moving on the canvas. The latter merges together the forms using shades of pink that interact with and into each other; the former works with contrasting colors, both moving differently and seemingly extraneous from each other, creating a dynamism that’s difficult to miss. Read more…

© 2009 Katrina Stuart Santiago