Posts Tagged ‘2010 elections’

election primer of sorts

Monday, February 1st, 2010

this is something that Female Network asked me to write, an election primer of sorts, for its Pinay market. www.femalenetwork.com is the umbrella website for Summit Media’s pinay-targetted magazines: Cosmopolitan, Women’s Health, Good Housekeeping, Smart Parenting, Candy and Preview.

but of course this is for every voting Pinoy, in 2010 and beyond, regardless of gender and sexuality, and whatever other demographic or category or label we may imagine we fall under. my personal top 10 issues in relation to the 2010 elections, in no particular order, after negotiations and discussions with the nanay of course.

1. the environment
2. the VFA
3. foreign debt
4. human rights
5. charter change
6. education
7. migration
8. employment
9. SSS and GSIS
10.the Reproductive Health Bill

do click on that link!

stimulus via SSS? utang na loob!

Monday, February 2nd, 2009

i will not even get into the legality of Chairman Romula Neri’s decision to use Social Security System’s funds for Gloria Macapagal-Arroyo’s stimulus package — Rep. Liza Masa is doing a good job of that already. nor will i get into the probability that this will expectedly be used by GMA to win the 2010 elections, because her government always seems to think that the downtrodden will be easily impressed by contractual jobs, with little pay and no benefits (oh such little faith in the intelligence of the oppressed masses!).

what i will insist on is this: the Social Security System is in no position to give out its money, because it has yet to even serve its members. and you know i’m not even one to complain about long lines (i come from the University of Pila after all) and rude employees (i’ve had my share of government offices after all).  all i ask is that the SSS be able to give its members what’s due them: our I.D.’s when we need them and access to our benefits with as little of those bureaucratic hassles as possible.

and yet what we are treated to is an unfair system that puts members through hell because it is disorganized, unjust, and downright unacceptable.

let me begin with this: those of us who live in the Mandaluyong and Pasig areas have to go all the way to Quezon City to get our Identification Cards processed because both the Mandaluyong and Pasig SSS branches have broken I.D. card machines. Mandaluyong has had a broken machine for oh, three years? and the Pasig branch for over a year. this is not just inconvenient, it is unforgivable given the fact that in order to get any — ANY! — of your benefits you must have at least your SS ID claim stub.

but of course when you are desperate, and in need, you will go that length of traveling from wherever you are in this country to that rare SSS branch that has an SS I.D. machine. so i get there at 7:30 AM, thinking that i was to early only to find that i was too late. i was number 442 — four hundred f*** forty two! — and my I.D. application was only going be entertained four hours later.  i had to wait outside the building, in the heat, with no food and no clean comfort room.

when you finally face the scowling SSS employee, she processes your papers with nary a smile, and you are told to return at 7AM the following day for the I.D. picture. and i do, at a little over 7AM, only to find that they started giving out cards at 5:30, when the first member arrived. and i was now number 96 — an improvement nonetheless, i think.

but now the issue is this: you are told to wait inside the building and not outside, and you are told to sit in proper order on the row upon row of seats. you are also told by the Security Guard that if you step out for any reason, you might lose your place and there will be no getting it back, sorry na lang kayo. and as the airconditioning is on high (it’s a huge space after all), and i’m stuck in my assigned seat (the guard is a scary scary man), i am forced to keep my pee in, kidney stones and UTI be damned!

i listen to those around me, and i realize that i am better off.  two men who met while waiting, started talking about having to leave — one for Dubai, the other for “Saudi” — both as construction workers. they expect to get their I.D.s today because they need it to travel.  meanwhile, a pregnant lady two seats to my left who, by the looks of it was well into her third trimester, was talking about how much money she needed for giving birth, and how difficult it has been being pregnant and trying to get her SSS maternity benefit. the old man beside me was holding his forms for dear life, newly-employed as he was, and needing an SSS I.D. to get his employment papers properly processed. he should’ve been there to collect retirement benefits.

we were all finally being told to enter these cubicles with the oh so rare computers for I.D. processing, one-by-one. and when we are done with the process of putting in a Personal Identification Number (P.I.N. — which not everyone had a sense of), and giving our electronic thumbprint and signature, we are told this: your I.D.s will be delivered via snail mail in seven months. SEVEN F*@%^ MONTHS!

and i couldn’t help but wonder about those who needed it already, because they are due to fly out and work elsewhere for home and family. i wonder about the old man whose papers might only be processed when he has his I.D. in hand. i do think about how unfair the whole process has been, because the difficulty is uncalled for.  had there been a machine in Mandaluyong, i can’t imagine that i would be number 442 OR 96. had there been more machines, and more people manning them, as well as more people printing out those I.D.s, i can’t imagine that it should take seven months to get these via mail.

and ultimately, i can’t imagine that any of this can’t be fixed with the P12.5 billion pesos of SSS money that Romulo Neri has so generously decided to dole out for the stimulus package. it is unbelievable that given the horrible third world system of the SSS, which puts its members through hell in its incapacity to serve properly and punctually, it is so willing to spend on “saving the world” even when it is not clear about where the money’s going. that the SSS will be “spending” its members’ money — that which they work hard for, that which they fall in line for, that which they expect must be easy to claim — makes this all the more despicable.

SSS Chairman Romula Neri wants to save the world. and as a member who has been oppressed by the SSS’ (lack of a) system, my response is simple: utang na loob!

kawayan takes a walk on the blindsideMarch 1st, 2010

It seems too easy, really. On one July 4, Kawayan de Guia found himself in America, and felt removed from what was a major celebration in the land of milk and honey. On this day, he decides to take a 30-kilometer walk on non-descript Route 66, which may be part of his personal history of walking, yes, but to a spectator who needs no personal history, could really be about so many other things.

Which is really what works for Bored on the 4th of July (Ateneo Art Gallery, Ateneo de Manila University) an exhibit borne of de Guia’s New York Art Residency Grant. An installation of photos that de Guia took on this walk of purported boredom, what was striking to begin with about this exhibit was the fact that it really is just a bunch of photos. The current propensity for capturing images of moments and keeping memories, with social networking sites and the internet’s enterprise of sharing and developing relationships through these swiftly changing images, this is exciting as it is possibly boring. For really, when I can put an album online of my own walk through an unfamiliar street in an alien city, wouldn’t my own captured images necessarily be as important, if not more so, than someone else’s? Read more…

Lack or irony in Happily UnhappyFebruary 9th, 2010

a version of this was published in the Arts and Books Section of the Philippine Daily Inquirer, 8 February 2010.

A group exhibit such as Happily Unhappy (Blanc Gallery, Mandaluyong) has a lot going for it, other than the possibility, and the fact, of a smorgasbord of artists. There is the brilliance of a concept, the idea of being happy with one’s unhappiness, that can carry an exhibit like this to, well, brilliance. This of course banks on the infinite possibilities that a title such as this allows: what is it to be happily unhappy? Where does one take that idea, and how can it be configured and reconfigured? It also presumes a certain amount of irony, yes? Because that title is, if we must state the obvious, ironic.

But apparently the danger with irony in an exhibit such as Happily Unhappy (curated by Jordin Isip and Louie Cordero) is the possibility that a greater number of the participating artists would work with the concept in the same way, i.e., talk about the same kind of happy unhappiness. The irony then becomes less potent, less obvious, less than what’s expected. Read more…

Lee Navas Olazo rock the new year!January 26th, 2010

A two-man one-woman show featuring Romeo Lee, Elaine Navas and Jonathan Olazo (Manila Contemporary, 2314 Pasong Tamo Ext), opens the year 2010 with a bang of bold strokes and crazy textures. The diversity of course lies in the kind of works that these three artists are famous for, a diversity that necessarily lies in form, but more importantly in subject matter.

It’s Navas’ three panels that capture the eye upon entering the gallery, with her signature impasto technique and an amalgamation of green. The four panels that make up “Asborbed” “Found” and “In Between” could easily be different angles of the same forest rendered in still life. What makes it unique is Navas’ use of a technique that seems to bring this forest to life, engaging the spectator in the familiarity of the moment captured: the trees and leaves all tangled up, a bit of sunlight cutting through the chaos. It calls out to the spectator in the way the unknown does, where being in between is the same as being found, as one is absorbed into discovery as well.

In “Wishingbone” Navas’ still life isn’t so much about the engagement with what’s familiar, but a rendering of the familiar into strangeness. The wishing bone, which connotes hope, is shown as a headless fish skeleton hanging upside down, a query into the idea of a wishingbone and what it is in truth: a surrender, an end in itself, a moment up in the air. It’s this same suspension of belief that is apparent in Navas’ two other works “Solo” and “Pink Mutations”, as both work with crumpled unidentifiable forms that seem to be moving on the canvas. The latter merges together the forms using shades of pink that interact with and into each other; the former works with contrasting colors, both moving differently and seemingly extraneous from each other, creating a dynamism that’s difficult to miss. Read more…

© 2009 Katrina Stuart Santiago